I'm not shure he has enough of a setup to get to some of what you posted... And even then I took more of a "create your own sound" approach...

[quote][b]Posted by:[/b] LethalReap For a nice bluesy tone, turn the tone knob on your guitar all the way down, and bring the volume (again on the guitar) down to the 2-4 region. On the Amp, set the Bass to 10, the treble to 5-8 region, and the mid to the 2-4 region. Turn the gain and drive down to about 3-5 even lower if you still get a lot of "fuzz"(and if you have overdrive then turn it off) and adjust the normal volume until it is at a comfortable level. I suggest using the rear pickups on your guitar. For a more modern sound, turn the tone on your guitar to the 6-8 region, an the volume all the way up. Then go to the amp, turn the Treble and the Bass all the way up, the Gain all the way up and the drive in a higher number (7-10.) Adjust the normal volume to a comfortable level. This is all speculation based on [b]my[/b] normal amps. If you could link me to a page describing, or even tell me the model number of your amp I could help you much more...[/quote] ...I already gave him more that enough info.

For a nice bluesy tone, turn the tone knob on your guitar all the way down, and bring the volume (again on the guitar) down to the 2-4 region. On the Amp, set the Bass to 10, the treble to 5-8 region, and the mid to the 2-4 region. Turn the gain and drive down to about 3-5 even lower if you still get a lot of "fuzz"(and if you have overdrive then turn it off) and adjust the normal volume until it is at a comfortable level. I suggest using the rear pickups on your guitar. For a more modern sound, turn the tone on your guitar to the 6-8 region, an the volume all the way up. Then go to the amp, turn the Treble and the Bass all the way up, the Gain all the way up and the drive in a higher number (7-10.) Adjust the normal volume to a comfortable level. This is all speculation based on [b]my[/b] normal amps. If you could link me to a page describing, or even tell me the model number of your amp I could help you much more...

Mine goes to 11. Usually its /Overdrive Off/ Bass: 4 Contour/Mid: 5 Treble: 6 or 7 /Overdrive On/ Bass: 7 Countour/Mid: 5 Treble: 5 Marshall 15DFX

I mess with mine all the time. But right now here's what I have: Gain ~ 2 Treble ~ 6 Middle ~ 9 Bass ~ 9 Volume ~ 2 Master Volume ~ 6 Mine doesn't actually have numbers.

[quote][b]Posted by:[/b] elmicker [quote][b]Posted by:[/b] haloiscool199519 my numbers aree from 1-10.[/quote] Mine goes to 11.[/quote] damn, beat me to it...

*theMasterLeaf uses dive! he dives underwater*

*willis936 is building up rage* Sorry, I don't have PS so I can't make my own Pokemon Gameboy memes.

[quote][b]Posted by:[/b] willis936 Could you find me Limp Bizkit's tone on their dub of "Behind Blue Eyes"? I can't seem to get it down.[/quote] I can't seem to find it. Sorry.

Could you find me Limp Bizkit's tone on their dub of "Behind Blue Eyes"? I can't seem to get it down.

[quote][b]Posted by:[/b] Redonedancy master... i think that was a tad bit over board.[/quote] O RLY?! A AC/DC - Angus Young - General Gain - 5 Treble - 10 Mids - 10 Bass - 5 Channel - Overdrive Audioslave - Tom Morello - General Gain - 7 Treble - 10 Mid - 4 Bass - 4 Reverb - 0 Channel - Overdrive B Black Label Society - Zakk Wylde - General Gain - 10 Treble - 4-6 Mid - 4-6 Bass - 10 Presence - 2 Channel - Distortion Black Sabbath - Tommy Iommi - General Gain - 7 or 8 Bass - 6 Middle - 6 Treble - 6 Channel - Overdrive C Cream - Eric Clapton - General Gain - 7 Treble - 5 Mid - 7 Bass - 7 Presence - 8 Channel - Clean D Darkness, The - Justin Hawkins - Solos Gain - 7 Treble - 8 Mids - 8 Bass - 6 Reverb - 5 Effects/Other - Tube Screamer Channel - Overdrive E F G Guns 'n' Roses - Slash - General Gain - 6.5 Treble - 4.5 Mid - 7 Bass - 7 Presence - 8 Channel - Overdrive H I Iron Maiden - Janick Gers - General Gain - 10 Treble - 10 Mid - 8 Bass - 5 Reverb - 0-1 J Jimi Hendrix - General Gain - 4 Treble - 5 Mid - 5 Bass - 8 Reverb - 5 Effects/Others - Neck Pickup Channel - Overdrive K L Led Zepellin - Jimmy Page - General Gain - 4 Treble - 8 Mid - 3 Bass - 7 Reverb - 2 Channel - Overdrive Led Zepellin - Jimmy Page 2 - General Gain - 4-6 Treble - 9-10 Mids - 4 Bass - 1-2 Reverb - 4 Channel - Overdrive Effects/Other - Bridge Humbucker M Metallica - Kirk Hammett - General Gain - 9 Bass - 7 Mids - 2 Treble - 10 Reverb - 3 Channel - Distortion Metallica - Kirk Hammett 2 - General Gain - 7 Treble - 7 Mid - 2 Bass - 7 Reverb - 2 Channel - Distortion Motley Crue - Mick Mars - Dr. Feelgood and others. Gain - 3 Bass - 2-3 Contour - 2-3 Treble - 10 Channel - Overdrive N Nirvana - Kurt Cobain - General Gain - 7 Treble - 7 Mid - 4 Bass - 3 Reverb - 2 Channel - Overdrive Nirvana - Kurt Cobain - Chorus Effect bits Gain - N/A Bass - N/A Mids - N/A Treble - N/A Reverb - N/A Effects/Other - Ibanez CF-7 Pedal Speed- 10 Depth- 5 Delay Time- 0 or 1.5 Regen- 3 O P Q Queen - Brian May - General Gain - 8.5 Treble - 4 Mid - 9 Bass - 5.5 Reverb - 4 Effects/Other - Brian famously uses old sixpences to pick the strings of his guitar. Channel - Overdrive R Red Hot Chili Peppers - John Frusciante - Soft Rock songs (eg. Under the Bridge, Californication) Gain - 4 Treble - 8 Mid - 2 Bass - 6 Reverb - 7 Channel - Clean Rolling Stones - Keith Richards -General Gain - 4.5 Treble - 4.5 Mid - 6.5 Bass - 5.5 Reverb - 1.5 Effects/Other - Open G tuning, D G D G B D (low to high) Channel - Overdrive S Slipknot - Mick Thompson - General Gain - 9-10 Treble - 8 Mid - 7 Bass - 8 Reverb - 2 Effects/Other - Tuning of B F B E G# C# (low to high) Channel - Distortion T U U2 - The Edge - General Gain - 1.5 Treble - 7 Mid - 5 Bass - 3 Reverb - 8.5 Channel - Overdrive V Van Halen - Eddie Van Halen - General Gain - 6 Treble - 4 Mid - 3 Bass- 9 Reverb - 4 Channel - Overdrive W White Stripes, The - Jack White - General Gain - 8 Treble - 7 Mid - 5 Bass - 8 Prescence - 8 Channel - Overdrive

just sit around until you get the sound that you want

master... i think that was a tad bit over board.

Wtf? Gain and drive are basically the same thing. The best thing to do is start with the volume at zero on everything, put the gain to 5, the drive to 0, and the EQs to 5. Bring the volume up and calibrate it to your tastes, then screw around with the EQ. Any Fender over 30W should be a winner. EDIT: Thanks, MasterLeaf, that actually helps. [Edited on 07.31.2008 1:30 PM PDT]

Rhcp- under the bridge tone Black 2x12 Gain- 9 o'clock Volume- max Treble- max Middle- 3/4 o'clock Bass- 9/10 o'clock Use compressor effect as well Classic rock ie. led zepplin AC30TB setting Gain- 2 o'clock Volume- max Treble- 3 o'clock Middle- 1 o'clock Bass- 10/11 o'clock Reverb obviously works well too. Oasis tone UK 90's setting Gain- 1/2 o'clock Volume- max Treble- 3 o'clock Middle- 1/2 o'clock Bass- 11 o'clock Kinks tone UK 70's setting Gain- 4 o'clock Volume- max Treble- max Middle- 2 o'clock Bass- 10/11 o'clock Sex pistols tone AC30TB setting Gain- 2/3 o'clock Volume- max Treble- 4/5 o'clock Middle- 2/3 o'clock Bass- 10 o'clock New indie type tone e.g. futureheads, bloc party, razorlight AC30TB setting Gain- 10/11 o'clock (mess around with this to get the right amount for a particular band Volume- max Treble- max Middle- 3 o'clock Bass- 9 o'clock

Opeth Amp EQ settings: Mids: 4:30 o' clock High:10:30 o'clock Low: 7 (barely above 0) Presence: 0 Resonance: 8(barely above 0) Drapery Falls Intro Tone(for Boss GT-6): Only things that are on are: -Reverb(set to 75) -Overdrive/Distortion(Metal>Heavy Metal Preset) -Overdrive/Distortion Drive and Level set to 100 -Equalizer: Low EQ +1 dB Lo-Mid f 500Hz Lo-Mid Q 2 Lo-Mid EQ +2 dB Hi-Mid f 4.00 kHz Hi-Mid Q 2 Hi-Mid EQ +2 dB High EQ +2 dB Level +2 dB -Pedal Assign: Exp Pedal ON, Foot vol min 0 Opeth Distortion: Only things switched on are: -Overdrive/Distortion TYPE: Metal>Heavy Metal(type variation) -Overdrive/Distortion Drive and Level: 100 -Reverb: 25 -Pedal Assign: Exp Pedal ON, Foot vol min 0 -MAKE SURE YOU USE RHYTHM PICKUP FOR THIS DISTORTION Graham Coxon of Blur Gain 7 Treble 7 Mid 6 Bass 5 Reverb 0 Atreyu Gain - 8 Bass -8 Mid - 2 - 3 Tremble – 9 Nickelback Gain 9 Bass 8.5 Mid 1 Treble 5.5 Rage Against The Machine Drive: 6 Treble: 8 Middle: 0 Bass: 6 Reverb: 2 (Distortion) Audioslave Tom Morello Gain 7 Treble 10 Mid 4 Bass 4 Reverb 0 Rush Gain - 6 Bass - 8 Mid - 6 Treble – 4 Neil Young Bass: 5 Middle: 10 Treble: 10 Presence: 10 Gain: 5 Steve Vai Clean Channel Settings #1 Reverb 0 Treble 9 Mid 5 Bass 3 Clean Channel Settings #2 Reverb 0 Treble 8 Mid 4 ½ Bass 4 Lead Channel Settings #1 Presence 6 Treble 6 Mid 8 Bass 7 ½ Drive 9 Lead Channel Settings #2 Presence 6 ½ Treble 6 ½ Mid 6 Bass 7 ½ Drive 8 Lead Channel Settings #3 Presence 6 Treble 6 Mid 6 Bass 7 Drive 8 Lead Channel Settings #4 Presence 6 Treble 6 Mid 7 Bass 7 ½ Drive 8 Adam Gontier/Barry Stock of Three Days Grace Gain: 7 Treble: 10 Middle: 2 Bass: 2 Reverb: 6 Channel: Overdrive Joe Satriani 1.) Gain 7 Treble 6 Mid 10 Bass 6 Reverb 1 2.) gain: 7 Treble: 6 Middle: 3 Bass: 6 Reverb: 0 (Distortion) 3.) Gain: 6 Treble: 7 Bass: 9 Mids:0 Lynyrd Skynyrd Treble - 5 Mid - 10 Bass - 5 Gain - 2-3 Bullet for my valentine High-Gain amp Model. Bass-6 Mid-5 Treble-8 Wolfmother Gain: 7 Bass: 6 Mid: 6 Treble: 4 Reverb: 2 Metallica Drive: 7 Treble: 8 Middle: 3 Bass: 3 Reverb: 2 (Clean) Megadeth Gain 10 Bass 4 Contour 10 Treble 10 AFI General Early AFI Treble: 9 mid: 7 bass: 5 gain: 10. Middle AFI Treble: 8 middle: 5 bass: 7 gain: half New AFI Treble: 7.5 middle: 6 bass: 6 Gain: just before half The Strokes Gain 4 Treble 8 Mid 4-6 Bass 6 USing the bridge pickup when using dist and neck pickup when clean Jerkyll and hyde ultimate overdrive settings Drive full, turn down for softer songs l tone full volume set to desire Distortion Drive 3 oclock for songs like juicebox, heavy songs ect turned down for softer songs tone 10 - 11 o'clock EQ 7 - 8 o'clock volume set to desire

Pete Willis of Def Leppard Gain- 4 Bass-4 Mid- 5 Treble-7 Reverb-4 Billy Gibbons of ZZ Top Treble: 3 Middle: 10 Bass: 10 Prescense: 10 Gain: about 5 (crunchy type of sound) Use a Les Paul guitar with not to much output in the pups and select both! Buckethead of Buckethead Bass: 5-6 Mids: 5-7 Treble: 7-8 Presence: 6 Boost clean channel with an OD Tone: 5-6 Volume: 5-8 (have it boost the volume of the amp a little) Distortion: 0 Randy Rhoads of Black Sabbath Gain 7 Bass 7 Mids 7 Treble 10 Reverb 0 Clapton of Cream Prescense: 10 Treble: 10 Middle: 10 Bass: 10 Gain: 5 Stevie Ray Vaughan of Stevie Ray Vaughan Low 10 (full) Mid 7.5 High 5 Steve Vai Clean: Treble: 8 Mid: 5 Bass: 4 Lead: Presence: 6 Treble: 6 Mid: 7 Bass: 7 Gain: 8 Sublime General Treble 9-10 mid:0 bass: 7 with a hint of chorus...on clean Buckethead Bass: 5-6 Mids: 5-7 Treble: 7-8 Presence: 6 Slayer Gain: 7 Treble: 7 Mid: 2 Bass: 9 Kerry King Gain - 9-10 Treble - 10 Mid - 4 Bass - 6-7 Reverb – 3

Jimi Hendrix of Jimi Hendrix Experiance Gain - 4 Treble - 5 Mid - 5 Bass - 8 Reverb - 5 John Petrucci of Dream Theatre 1)Clean Channel: Preamp Mode: Rhythm 1 Yellow Gain: 6 Treble: 6.5 Middle: 3.5 Bass: 3 Lead 1 Drive: 0 Lead 2 Drive: 0 Master: 5.5 Presence: 8 Dynamic Voice: 7 Power Amps set on Deep And Modern 2)Main Distortion Channel: Preamp Mode: Lead 1 Red Gain: 6 Treble: 6 Middle: 6 Bass: 4.5 Lead 1 Drive: 4.5 Lead 2 Drive: 0 Master: 4 Presence: 6.5 Dynamic Voice: 6.5 Power Amps set on Deep And Modern 3)Lead Channel: Preamp Mode: Lead 2 Yellow (MarkII Lead Sound) Gain: 7.5 Treble: 4.5 Middle: 4 Bass: 5.5 Lead 1 Drive: 0 Lead 2 Drive: 6.5 Master: 6 Presence: 0 Dynamic Voice: 3 4)EFFECTS CHAIN: Clean Sound - basic chorus sound Lead Sound - 602 and 460 millisecond delay with 3 repeats Crunch - 26 milliseconds delay Tom Morello of Audioslave/Rage Against the Machine Gain - 7 Treble - 10 Mid - 4 Bass - 4 Reverb - 0 Eric Clapton of Eric Clapton Gain - 7 Teble - 5 Mid - 7 Bass - 7 Presence - 8 Mick Thompson of Slipknot Gain - 9-10 Treble - 8 Mid - 7 Bass - 8 Reverb - 2 Note tuning of B F B E Gsharp Csharp (low to high) Jimmy Page of Led Zeppelin Gain - 4 Treble - 8 Mid - 3 Bass - 7 Reverb - 2 Kurt Cobain of Nirvana Gain - 7 Treble - 7 Mid - 4 Bass - 3 Reverb - 2 Eddie Van Halen of Van Halen Gain - 6 Treble - 4 Mid - 3 Bass- 9 Reverb - 4 John Frusciante of Red Hot Chili Peppers Gain - 4 Treble - 8 Mid - 2 Bass - 6 Reverb - 7 Kirk Hammet of Metallica Gain - 7 Treble - 7 Mid - 2 Bass - 7 Reverb - 2 Keith Richards of Rolling Stones Gain - 4.5 Treble - 4.5 Mid - 6.5 Bass - 5.5 Reverb - 1.5 Note use of open G tuning, D G D G B D (low to high) The Edge of U2 Gain - 1.5 Treble - 7 Mid - 5 Bass - 3 Reverb - 8.5 Brian May of Queen Gain - 8.5 Treble - 4 Mid - 9 Bass - 5.5 Reverb - 4 Note Brian famously uses old sixpences to pick the strings of his guitar. Jack White of The White Stripes Gain - 8 Treble - 7 Mid - 5 Bass - 8 Prescence - 8 Slash of Guns N' Roses Gain - 6.5 Treble - 4.5 Mid - 7 Bass - 7 Presence ? 8 Justin Hawkins of The Darkness bass- 6 treble-8 mid-8 gain-7 reverb-5 Dimebag Darrel of Pantera Gain - 7 Treble - 10 Mid - 4 Bass - 9 Reverb ? 0 Billie Joe Armstrong (newer) of Green Day Drive - 6 Treble - 10 Mid - 8 Bass - 5 Reverb ? 3 Billie Joe Armstrong (older) of Green Day Gain:9 Treble:10 Mid:8 Bass:5 Reverb:3 Dave Sullivan of Iron Maiden Drive - 7 Treble - 9 Mid - 7 Bass - 4 Reverb - 0 Use your brigde humbucker - I find this tone to be excellent for Maiden - The Trooper, Hallowed especially Gary Moore of Thin Lizzy Bass 7 Treble 7 Mids 8-10 Gain 5-7 depends on song Coutour at 3-4 not so high to suck the mids but not os low to sound crappy maybe a splash of reverb Neck pickup Dave Grohl of Foo Fighters Distortion:8 Treble:7 Middle:5 Bass:3 Reverb:3 (room) Joe Walsh of Eagles Treble: 7 Bass:3 Mid: 4 Master:3 Reverb:2 Presence:3 Billy Corgan of Smashing Pumpkins For songs like 1979: Bass: 8 Mid: 7 High/Treble: 6 Pickup Position: 2 or 4 (Strat) For heavier songs like Zero or Jellybelly: Bass: 10 Mid: 4 High/Treble: 8 Use a thick heavy distortion with medium tone and a lot of sustain. Clapton "woman", of Cream Gain (2) Bass (10) Mid (10) Treble (5) Reverb (1) Use it with a double Humbucker Guitar, and select both Angus Young of AC/DC Gain - 5 Treble - 10 Mid - 10 Bass - 5 Gary Rossington of Lynyrd Skynyrd Treble - 5 Mid - 10 Bass - 5 Gain - 2-3 Mark Tremonti of Creed/Alter Bridge Gain:10 Treb.:6 Mid.:3 or 4 Bass:7 Presence:6 Mike McCready of Pearl Jam Treble: 7 Mid: 7 Low: 5 Daron Malakian of System of a Down Amp Used: Crate VFX5212 Gain: 8 Treble: 6-7 Mids: 3-5 Bass: 10 Presence: 8 Note the use of Drop D down 1/2 step (Db Ab Db Gb Bb Eb) Tony Iommi of Black Sabbath Gain - 7 or 8 Bass - 6 Middle - 6 Treble - 6 Channel - Overdrive Kirk Hammett of Metallica Gain - 9 Bass - 7 Mids - 2 Treble - 10 Reverb - 3 Channel - Distortion Kirk Hammett 2 of Metallica Gain - 7 Treble - 7 Mid - 2 Bass - 7 Reverb - 2 Channel - Distortion Mick Mars of Motley Crue Gain - 3 Bass - 2-3 Contour - 2-3 Treble - 10 Channel - Overdrive Kurt Cobain of Nirvana Gain - 7 Treble - 7 Mid - 4 Bass - 3 Reverb - 2 Channel - Overdrive Kurt Cobain - Chorus Effect bits of Nirvana Effects/Other - Ibanez CF-7 Pedal Speed- 10 Depth- 5 Delay Time- 0 or 1.5 Regen- 3 Mick Thompson of Slipknot Gain - 9-10 Treble - 8 Mid - 7 Bass - 8 Reverb - 2 Effects/Other - Tuning of B F B E G# C# (low to high) Channel - Distortion Noel Gallagher of Oasis Gain- 5.5 Volume- 10 Treble- 7 Middle- 5.5 Bass- 4.5 Ray Davies of The Kinks Gain- 7.5 Volume- 10 Treble- 10 Middle- 6 Bass- 4 Steve Jones of Sex Pistols Gain- 7 Volume- 10 Treble- 8.5 Middle- 6 Bass- 4 Alex Laiho of Children of Bodom Treble: 9 Mid: 4 Bass: 7 Gain: 8 Reverb: 4 (on guitar) Tone: 10 Pickup: Bridge David Gilmour of Pink Floyd Bass: 10 Middle: 6.5 Treble: 10 Gain: 1.5 or Gain-2-3 Treble- 7-8 Mids- 9-10 Bass- 5-6 Reverb- 60-70% Mark Tremonti of Creed/Alter Bridge Gain: 7 Bass: 6 Mids: 4 treble: 7.5 Reverb: 1-2 Carlos Santana of Carlos Santana gain 7 treble 10 mid 6 bass 5 reverb 2 Jerry Cantrell of Alice in Chains Gain 6-7 Treble 6-7 Mids 5-6 Bass 5-6 Reverb 3 Joe Perry of Aerosmith Gain: 5.5 Treble: 2 Mid: 7 Bass: 2 Volume: Full (used Fenders in the early days and switched to music Man during the Toys era, now uses a mixture)

OP check yer goddamn thread!

More Slash Settings Dirty tone: Variation 1: * Presence: 8 * Bass: 7 * Mid: 7 * Treble: 4.5 * Output Master: 10 * Input Gain: 6.5 Variation 2: * Presence: 7 * Bass: 7 * Mid: 4.5 * Treble: 7 * Output Master: 6 * Lead Master: 10 * Input Gain: 6.5 Clean tone: * Presence: 0 * Bass: 9 * Mid: 3 * Treble: 5.5 * Output Master: 10 * Lead Master: 0 * Input Gain: 4 [Edited on 07.31.2008 1:18 PM PDT]

Gun's and Roses: Sweet Child o Mine bass 10 contour 5 treble 10 reverb 3 gain 10 freq 3 [Edited on 07.31.2008 1:09 PM PDT]

AC/DC BACK IN BLACK drive at 6 treble at 5 mid at 6 bass at 8 reverb at 3 overdrive on BLACK SABBATH - PARANOID DRIVE AT 7 treble at 3 mid at 6 bass at 6 reverb at 4 distortion on BLINK 182 - ALL THE SMALL THINGS drive at 5 treble at 7 mid at 4 bass at 8 reverb at 1 distortion on DEEP PURPLE - SMOKE ON THE WATER drive at 7 treble at 3 mid at 7 bass at 9 reverb at 3 with overdrive GUNS AND ROSES - SWEET CHILD OF MINE drive at 10 treble at 3 mid at 5 bass at 7 reverb at 3 with overdrive JIMMY HENDRIX - PURPLE HAZE drive at 8 treble at 7 mid at 9 bass at 6 reverb at 3 with overdrive JOE SATRIANI - SURFING WITH THE ALIEN drive at 7 treble at 6 mid at 3 bass at 6 reverb at 0 with distortion LED ZEPPELIN - WHOLE LOTTA LOVE drive at 7 treble at 3 mid at 6 bass at 7 reverb at 5 with overdrive METALLICA - ENTER SANDMAN drive at 7 treble at 8 mid at 3 bass at 3 reverb at 2 play clean MUSE - PLUG IN BABY drive at 9 treble at 8 mid at 7 bass at 3 reverb at 1 with distortion NIRVANA - SMELLS LIKE TEEN SPIRIT drive at 6 treble at 7 mid at 4 bass at 3 reverb at 2 with overdrive PENTERA - COWBOYS FROM HELL drive at 10 treble at 10 mid at 0 bass at 5 reverb at 0 with distortion PINK FLOYD - MONEY drive at 5 treble at 6 mid at 7 bass at 7 reverb at 4 with distortion RAGE AGAINST THE MACHINE - KILLING IN THE NAME drive at 6 treble at 8 mid at 0 bass at 6 reverb at 2 with distortion RED HOT CHILI PEPPERS - UNDER THE BRIDGE drive at 2 treble at 6 mid at 7 bass at 7 reverb at 0 with overdrive STEVE VAL - THE ANIMAL drive at 6 treble at 6 mid at 5 bass at 8 reverb at 3 with overdrive VAN HALEN - AIN'T TALKIN BOUT LOVE drive at 6 treble at 5 mid at 3 bass at 9 reverb at 4 with distortion STEVE VAL AMP SETTINGS Clean #1 reverb at 0 treble at 9 mid at 5 bass at 3 vol. at 2 clean #2 reverb at 0 treble at 8 mid at 4/5 bass at 4 vol at 6 LEAD 31 settings presence at 6 treble at 6 mid at 8 bass at 7/8 drive at 9 vol at 4 LEAD 3 2 settings presence at 6/7 treble at 6/7 mid at 6 bass at 7/8 drive at 8 vol at 6 LEAD 33 settings presence at 6 treble at 6 mid at 6 bass at 7 drive at 8 vol at 6 LEAD 34 settings presence at 6 treble at 6 mid at 7 bass at 7 drive at 7 vol at 8 HEAVY METAL SETTING bass at 10 mid at 2 treble at 10 reverb at 3 with Boss Metalzone set at level at half low boost high at half distortion at max HEAVY METAL SETTING gain at 8 presence at 3/4 bass at 9 mid at 3 treble at 7 reverb at 1/2 with DOD metal X set at level at 4 low at 8 high at 9 distortion at 7/8 HEAVY METAL SETTING everything at max DOD deathmetal set at level at 5 low at 5 mid at 0 high at 6/7 HEAVY METAL SETTING treble at 9 mid at 4 bass at 10 Boss metal zone set at high just under 1 low at max mid at just under 1 mid freg. distortion at max vol set at arrest level PUNK SETTING low at 10 mid at 10 high at 3/4 with distortion pedal set at tone high distortion at max SULTANS OF SWING SETTINGS presence at 4 treble at 5 nid at 5 bass at 5 reverb 2/3 master at 10 YNGWIES SETTING vol at 10 bass at 5/7 mid at 2/5 treble at 6/8 presence at 4/6 BONE GRINDER GRUNDGE pregain at 2/3 low at 8 mid at 5 high at 8 presence at 6/7 master at 6 output level at 80% you can add to this phaser at slow with EQ for bass punch or a chorus with EQ for sharpness COUNTRY BLUES SOUND bass at 6/7 mid at 6/7 treble at 8/10 reverb at 3 BLUES SETTING treble at 5/7 bass at 5/6 mid at 0 use with a tube screamer ZAKK WYLDE treble at 10 mid at 3 bass at 10 presence at 2/3 vol. at 10 master vol at 6/7 RANDY RHODES presence at 10 bass at 1 mid at 4/5 treble at 2 vol at 9 played with MXR distortion pedal Another ZAKK WYLDE gain at 6/8 presence low mid at 4/6 treble at 9/10 bass at 9/10 METALLICA Gain at 9 treble at 10 mid at 2 bass at 7 reverb at 3 Daron Malakian of System of a Down Gain at 8 Treble at 5-6 mid at 3-5 bass at 10 reverb at 5-6

CLASSIC ROCK For Solid State Amp bass 10 mid 5 treble 7 presence 7 resonance 5 reverb 3 distortion CLASSIC ROCK On A Tube Amp gain 8 bass 7 mid 5 treble 5 SRV On a Fender Blues Jr amp reverb 3 master vol 3 treble 10 mid 10 low 4 fat switch on vol 8 PETE TOWNSEND gain 9/10 bass 7 mid 4 treble 10 reverb 2 SLAYER gain 7 treble 7 mid 2 bass 9 KORN overdrive/gain 10 bass 3/5 mid 5 high 5/8 STROKES gain 4 treble 8 mid 4/6 bass 6 bridge with distortion or neck clean RADIOHEAD My Iron Ling drive 10 treble 6 mid 7 bass 6 reverb 3 (clean) JOE PERRY gain 5/6 treble 2 mid 7 bass 2 DEP LEPPARD gain 4 bass 4 mid 5 treble 7 reverb 4 DAVE MUSTAINE GAIN 9/10 bass 8/9 mid 7 treble 8/9 presence 10 master vol 5/6 PEARL JAM gain 2 treble 6 bass 7 mid 7 reverb 3 DEP LEPPARD Rock Of Ages gain 4 treble 7 bass 5 mid 4 reverb 4 JEFF BECK Blow by Blow gain 10 bass 6 mid 5 treble 7 reverb 4 BOSTON bass 3 mid 10 treble 5 gain 5 DEEP PURPLE Highway Star bass 8 mid 5 treble 7 gain 4 GREEN DAY gain 8 treble 6 mid 4/5 bass 8 reverb 2 SLIPNOT treble 8 mid 2/3 bass 8 gain max DEEP PURPLE Smoke On the Water drive 7 treble 3 mid 7 bass 9 reverb 3 overdrive on SRV Texas Flood drive 6 treble 6 mid 5 bass 8 reverb 3 overdrive on PUNK Using a Marshall MG amp gain max treble 9 mid 7 bass 5 SATCH gain 7 vol 3 treble 6 mid 10 bass 6 reverb 1 THE SHADOWS gain 2 treble 6 mid 9 bass 10 reverb 10 METALLICA mid 0 bass high treble high guitar tuned to drop C Boss Metal Zone Pedal set to level 8/9 o clock mid 7 o clock treble 4/5 o clock distortion max bass 3/4 o clock GRUNGE PEDAL SETTING FOR Kurt Cobain loud 9 o clock low 3 o clock high 12 o clock grunge max SANTANA clean gain 7 treble 10 mid 6 bass 5 reverb 2 DAVID GILMOUR strat neck pickup clean tube amp gain 2/3 vol 10 treble 7/8 mid 9/10 bass 5/6 reverb 60 to 70% fuzz 100% use fuzz pedal, big muff or rat phaser pedal 40% delay pedal 310ms LED ZEPPLIN on a Vox ad30vt amp gain 2 o clock treble 3 o clock vol max mid 1 o clcok bass 10/11 o clock reverb SEX PISTOLS On a Vox ad30vt amp gain 2/3 o clock vol max treble 4/5 o clock mid 2/3 o clock bass 10 o clock THE DARKNESS solo settings overdrive on gain 7 treble 8 mid 8 bass 8 reverb 5 with tube screamer SLASH gain 6/7 treble 4/5 mid 7 bass 7 presence 8 overdrive on GOOD TRASH SOUND drive 10 vol 5 bass 0 mid 0 treble 10 tone off on guitar use bridge pickup CHILDREN OF BODOM treble 9 mid 4 bass 7 gain 8 reverb 4 guitar tone max use bridge pickup BLUES TONE for a Vox ad30vt amp treble 7 mid 6 bass 3 gain 10 METAL TONE for a Vox ad30vt amp gain 10 treble 8 mid 2 bass 6 PANTERA on a line 6 spider 2 amp amp model green insane bass 7 mid 2 treble 8 drive 12 o clock add a bit of flanger reverb 4 add a noise gate LED ZEPPLIN On a spider 2 amp amp model either crunch bass 8 mid 3 treble 9 drive 10 reverb 3

A BLUES SETTING set your knobs at 40 to 50 percent, gain low POWER BLUES SETTTING gain - 1 reverb - 1 treble - 7 bass - 6 middle - 7 RHYTHM BLUES SETTINGS gain - 6 to 8 treble - 4 to 6 bass - 4 to 6 mid - 4 to 6 reverb - 3 presence - 2 STONE ROSES gain 7 bass 7 mid 7 treble 3 reverb 5 RANDY RHODES Over The Mountain gain 7 bass 7 mid 7 treble 10 ALICE COOPER Schools Out gain 7 bass 6 mid 10 treble 10 reverb 4 THE POLICE Walking On The Moon gain 5 bass 7 mid 5 treble 5 reverb 5 DARKEST HOUR gain 6 bass 7/8 mid 7 treble 5 presence 7 PAUL GILBERT bass 10 mid, less then 1 treble 6/8 presence - way up ALICE IN CHAINS gain 6/7 treble 6/7 mid 5/6 bass 5/6 reverb 3 PHISH Chalkdust Torture gain 6 bass 8 mid 7 treble 4 reverb 3 ALMAN BROTHERS One Way Out gain 5 bass 6 mid 6 treble 8 reverb 3 THE MISFITS gain 9 bass 9/10 mid 6 treble 5 post gain 5 PUNK ROCK gain 7 bass 3 mid 4 treble 7 contour 8 overdrive 7 ZZ TOP bass 10 mid 10 treble 3 presence 5 preamp 5 gain 6 SYNSTER GATES drive 8 treble 6 mid 5 bass 6 ALICE IN CHAINS drive 5 treble 5 mid 6 bass 6 METAL SETTING for line 6 spider 2 amp drive 7 bass 5/6 mid 4 treble 10 NEIL YOUNG Rockin In The Free World bass 5 mid 10 treble 10 presence 10 gain 5 AVENGED SEVENFOLD Beast Harlot gain 8 treble 7 mid 6 bass 7 CRADLE OF FAITH Filthy Little Secret gain 10 bass 10 mid 1 treble 10 vol 10 contour 1 DAN DONEGAN gain 8 bass 10 mid 7/8 treb;e 7/8 KERRY KING gain 9/10 treble 10 mid 4 bass 6/7 reverb 3 COWBOYS FROM HELL gain 9 bass 7 mid 3 treble 8 reverb 2 DEATH TRASH SETTINGS On a Peavey Amp lead channel bass 6 mid 5/7 treble 7 gain 11 BEATLES Day Tripper Channel A master vol. 4 gain 4/5 presence 3 bass 10 mid 5 treble 5 mode low STEPPENWOLD Born To Be Wild Channel B master vol 2 lead gain 8 reverb 1/2 presence 4 bass 8 mid 9 treble 6 mode low

HEAVY METAL SETTING bass at 10 mid at 2 treble at 10 reverb at 3 with Boss Metalzone set at level at half low boost high at half distortion at max HEAVY METAL SETTING gain at 8 presence at 3/4 bass at 9 mid at 3 treble at 7 reverb at 1/2 with DOD metal X set at level at 4 low at 8 high at 9 distortion at 7/8 HEAVY METAL SETTING everything at max DOD deathmetal set at level at 5 low at 5 mid at 0 high at 6/7 HEAVY METAL SETTING treble at 9 mid at 4 bass at 10 Boss metal zone set at high just under 1 low at max mid at just under 1 mid freg. distortion at max vol set at arrest level PUNK SETTING low at 10 mid at 10 high at 3/4 with distortion pedal set at tone high distortion at max SULTANS OF SWING SETTINGS presence at 4 treble at 5 nid at 5 bass at 5 reverb 2/3 master at 10 YNGWIES SETTING vol at 10 bass at 5/7 mid at 2/5 treble at 6/8 presence at 4/6 BONE GRINDER GRUNDGE pregain at 2/3 low at 8 mid at 5 high at 8 presence at 6/7 master at 6 output level at 80% you can add to this phaser at slow with EQ for bass punch or a chorus with EQ for sharpness COUNTRY BLUES SOUND bass at 6/7 mid at 6/7 treble at 8/10 reverb at 3 BLUES SETTING treble at 5/7 bass at 5/6 mid at 0 use with a tube screamer ZAKK WYLDE treble at 10 mid at 3 bass at 10 presence at 2/3 vol. at 10 master vol at 6/7 RANDY RHODES presence at 10 bass at 1 mid at 4/5 treble at 2 vol at 9 played with MXR distortion pedal Another ZAKK WYLDE gain at 6/8 presence low mid at 4/6 treble at 9/10 bass at 9/10 METALLICA Gain at 9 treble at 10 mid at 2 bass at 7 reverb at 3 TONI IOMMI bass at 6 treble at 6 mid at 6 gain at 7/8 THICK METAL CRUNCH gain at 7 bass at 8 mid at 6 treble at 7 JIMI HENDRIX gain at 4 treble at 5 mid at 5 bass at 8 reverb at 5 TOM MORELLO gain at 7 treble at 10 mid at 4 bass at 4 reverb at 0 ERIC CLAPTON gain at 7 treble at 5 mid at 7 bass at 7 presence at 8 JIMMY PAGE gain at 4 treble at 8 mid at 3 bass at 7 reverb at 2

AC/DC BACK IN BLACK drive at 6 treble at 5 mid at 6 bass at 8 reverb at 3 overdrive on BLACK SABBATH - PARANOID DRIVE AT 7 treble at 3 mid at 6 bass at 6 reverb at 4 distortion on BLINK 182 - ALL THE SMALL THINGS drive at 5 treble at 7 mid at 4 bass at 8 reverb at 1 distortion on DEEP PURPLE - SMOKE ON THE WATER drive at 7 treble at 3 mid at 7 bass at 9 reverb at 3 with overdrive GUNS AND ROSES - SWEET CHILD OF MINE drive at 10 treble at 3 mid at 5 bass at 7 reverb at 3 with overdrive JIMMY HENDRIX - PURPLE HAZE drive at 8 treble at 7 mid at 9 bass at 6 reverb at 3 with overdrive JOE SATRIANI - SURFING WITH THE ALIEN drive at 7 treble at 6 mid at 3 bass at 6 reverb at 0 with distortion LED ZEPPELIN - WHOLE LOTTA LOVE drive at 7 treble at 3 mid at 6 bass at 7 reverb at 5 with overdrive METALLICA - ENTER SANDMAN drive at 7 treble at 8 mid at 3 bass at 3 reverb at 2 play clean MUSE - PLUG IN BABY drive at 9 treble at 8 mid at 7 bass at 3 reverb at 1 with distortion NIRVANA - SMELLS LIKE TEEN SPIRIT drive at 6 treble at 7 mid at 4 bass at 3 reverb at 2 with overdrive PENTERA - COWBOYS FROM HELL drive at 10 treble at 10 mid at 0 bass at 5 reverb at 0 with distortion PINK FLOYD - MONEY drive at 5 treble at 6 mid at 7 bass at 7 reverb at 4 with distortion RAGE AGAINST THE MACHINE - KILLING IN THE NAME drive at 6 treble at 8 mid at 0 bass at 6 reverb at 2 with distortion RED HOT CHILI PEPPERS - UNDER THE BRIDGE drive at 2 treble at 6 mid at 7 bass at 7 reverb at 0 with overdrive STEVE VAL - THE ANIMAL drive at 6 treble at 6 mid at 5 bass at 8 reverb at 3 with overdrive VAN HALEN - AIN'T TALKIN BOUT LOVE drive at 6 treble at 5 mid at 3 bass at 9 reverb at 4 with distortion STEVE VAL AMP SETTINGS Clean #1 reverb at 0 treble at 9 mid at 5 bass at 3 vol. at 2 clean #2 reverb at 0 treble at 8 mid at 4/5 bass at 4 vol at 6 LEAD 31 settings presence at 6 treble at 6 mid at 8 bass at 7/8 drive at 9 vol at 4 LEAD 3 2 settings presence at 6/7 treble at 6/7 mid at 6 bass at 7/8 drive at 8 vol at 6 LEAD 33 settings presence at 6 treble at 6 mid at 6 bass at 7 drive at 8 vol at 6 LEAD 34 settings presence at 6 treble at 6 mid at 7 bass at 7 drive at 7 vol at 8